Pro Audio Home > New Products
New Products
Shure Introduces New KSM42 And KSM44A Studio Microphones
Defining new standards in audio performance
NILES, IL,June 21, 2010 — Shure Incorporated today announced the latest additions to its line of KSM microphones – the new KSM42 and KSM44A. The pinnacle of Shure advancements in microphone development, KSM microphones deliver world-class sound reproduction from exquisite electro-acoustical design and technology.
The KSM42 is a premium, side-address, cardioid condenser microphone for premier vocal recording. “We built the KSM42 so that it would excel in studio vocal applications,” says Chad Wiggins, Shure’s Category Manager for Wired Products. “From the capsule and the preamp to the housing and the accessories, we designed the KSM42 to deliver a natural environment for sophisticated performance and recording.”
With a tailored frequency response and extensive internal and external pop filtering, the single-pattern, dual-diaphragm design of the KSM42 exhibits an ultra-wide dynamic range and exceptionally smooth proximity control for studio applications. “When engineers put the KSM42 in front of a vocalist, they’re going to get a consistent tonal quality whether that vocalist is two inches from the microphone or two feet away,” Wiggins adds.
The KSM44A is a large-diaphragm, side-address condenser microphone that can be used in a variety of live and studio applications. Innovative Shure technology has redefined the dynamic range of the mic to capture every nuance with a groundbreaking minimum of self-noise. “The KSM44A is truly a feat in engineering,” Wiggins explains. “We’ve lowered the self-noise while simultaneously increasing the max sound pressure level (SPL). The result is seven decibels of pure dynamic range.”
Like the other microphones in Shure's KSM line, the KSM42 and KSM44A are crafted from premium components and are ideal for sound engineers who demand the highest caliber of live sound and premier studio recording, with superb vocal and instrument clarity.
Unique features of the KSM44A include:
- Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
- Dual one-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass diaphragms that offer superior frequency response
- Premium electronic components and gold-plated internal and external connectors
- Subsonic filter, which eliminates rumble from mechanical vibration below 17 hertz (cycles per second)
- Three-position switchable low-frequency filter that helps reduce unwanted stand vibration noise or counteract proximity effect
- Integrated three-stage “pop” protection grille that reduces breath noise
Unique features of the KSM42 include:
- Highly consistent cardioid polar pattern creating a broad “sweet spot” and natural off-axis response for superior sound quality
- Dual-diaphragm design with an active front, ultra thin, 2.5 micron, 24-karat gold, low mass, one-inch Mylar® diaphragm
- Integrated three-stage mesh grille, which guards against wind and breath noise.
- Open cage ShureLock® rubber suspension shock mount with low-profile magnetic pop filter, producing a natural space between the performer and his or her microphone
- Premium electronic components and gold-plated internal and external connectors
- Internal shock mount to reduce unwanted handling and stand noise
The KSM42 and KSM44A microphones will be available in July, carry a two-year limited warranty, and can be purchased at select retail partners. Check www.shurecanada.com for a complete list of Authorized Dealers.
In addition to these two new microphones, new stereo pair bundles are available for the KSM137 and KSM141. The stereo pair versions of these models now include the A27M Stereo Microphone Adapter as a standard accessory. The A27M is designed to hold two microphones in selectable positions. This unique accessory allows two microphones to share one stand without losing independent positioning flexibility
^ UP
Shure Unveils Beta 27 Side-address Condenser Microphone
Industry’s Only Side-Address Supercardioid Condenser Microphone
Designed For Professional Sound Reinforcement
NILES, IL,March 25, 2010 — Shure Incorporated today announced the introduction of the latest addition to its line of precision-engineered Beta microphones, the side-address, supercardioid Beta 27. The new Beta 27 delivers the unmatched sound quality and durability that have made Shure microphones invaluable for more than 80 years of stage performance and studio recording around the world.
The Beta 27 is unique in the industry as the only side-address, supercardioid condenser microphone designed for professional sound reinforcement. It was developed in response to audio engineers' desire for a condenser mic that offers better isolation of the sound source.
"Live acts have been using cardioid large diaphragm condenser mics for years, on drum overhead and guitar/bass cabinets," says Chad Wiggins, Shure's Category Manager for Wired Products. "But for some big stages, engineers want more focus and better isolation of the sound source. That's what the Beta 27 offers. Plus, it's durable and it travels light -- that's a must for touring acts."
The Beta 27's supercardioid polar pattern targets the sound source like no other side-address microphone available for fine detail in demanding acoustic environments. With its large diaphragm and extremely low self-noise, the Beta 27 defines sound quality and high-caliber performance.
"Stage and studio are converging," adds Wiggins. "While the Beta 27 can handle multiple uses for studio recording projects, many acts nowadays are recording their live shows, and they want to put studio condensers on their stage. But, other microphones that are currently available pick up more splash and stage wash than the engineer might want. The Beta 27 is the answer.”
Like the other precision-engineered mics in Shure's Beta line, the Beta 27 is crafted for superior focus of sound reproduction and high gain-before-feedback. Ideal for professional sound engineers and performers who demand the ultimate in reliability, Beta 27 redefines control for essential, expert sound reinforcement in a wide variety of demanding applications and changing environments.
“It is the perfect complement to the SM57 as a second guitar mic,” says Matt West, Front of House engineer for Phoenix, Motörhead, The Cure, Snoop Dogg, and many others. “It is very full bodied and doesn't really require a great deal of hacking in the top end region to get the warmth out of a guitar. It is there already. I would be happy to permanently place it in my channel list for any band that I work with.”
Unique features of the Beta 27 include:
- Supercardioid polar pattern specifically targets the sound source consistently with greatly minimized bleed from off-axis sound sources.
- Tailored for superior transient response from a low-mass, one inch externally-biased, ultra-thin 24 Karat gold-layered Mylar ® diaphragm.
- Flat, neutral frequency response for natural reproduction on stage or in the studio.
- Three-position switchable low-frequency filter helps reduce unwanted stage rumble or counteract proximity effect for consistent, extended low-end.
- -15 dB switchable attenuator handles extremely high SPLs with ease.
- Premium electronic components and gold-plated internal and external connectors.
- Internal pop filter with three separate mesh layers reduces wind and breath noise.
The Beta 27 side-address condenser microphone carries a two-year limited warranty, and can be purchased at select retail partners. Check www.shurecanada.com for a list of Authorized Dealers.
^ UP
Shure Introduces PSM® 900 Personal Moniter System
ANAHEIM, CA and NILES, IL, JANUARY 14, 2010 – Shure Incorporated reaffirmed its position as a worldwide leader in professional audio electronics by bringing personal monitor audio quality to a new level. The groundbreaking new PSM® 900 Wireless Personal Monitor System sets a new category standard by delivering an unprecedented combination of audio quality and RF performance to the most demanding professional events, installations, and tours. 
"For well over a decade, Shure has been at the center of live performance with innovative wireless products that have allowed artists and performers to hear every nuance of their efforts while moving freely around the stage,” said Mark Humrichouser, General Manager of the Americas Business Unit for Shure. “With the PSM 900, we’ve built upon these innovations to create a new class of personal monitor, precision-engineered to deliver superior audio within a system that’s effortless to set up and unmatched in reliability. It’s an exceptional product with all of the hallmarks of Shure’s sound, and we couldn’t be more excited to bring it to market.”
At the heart of the PSM 900 system are a rugged, all-metal, ultra-thin wireless bodypack receiver (P9R) and a half-rack single wireless transmitter (P9T). The PSM 900 also will be available with Shure’s newly-introduced SE425 Sound Isolating™ Earphones, which feature enhanced sound signatures and premium dual speaker technology in a small, lightweight design. Unlike earlier SE models, the SE425 features a unique, detachable cable and formable wire at the earpiece giving performers accurate sound and a secure fit.
The new PSM 900 Personal Monitor System combines the very best in features and performance including:
Superior, Accurate Audio Quality. Using Shure’s patented Audio Reference Companding – a more efficient process for compressing audio signals prior to transmission – and advanced digital stereo encoding, the PSM 900 delivers a more natural sound with less noise and greater dynamic range than competitive wireless audio systems. The result is a lower noise floor and crisp, clear sound at all audio levels. The PSM 900 provides tight, controlled bass response and unparalleled stereo separation.
Exceptional RF Performance. The PSM 900 takes Shure’s reputation for RF performance and reliability to a new level. Advanced technologies provide robust performance in difficult RF environments. The PSM 900 receiver features the same front-end filter as Shure’s UHF-R® Wireless System, as well as Active RF Gain Control that automatically reduces receiver sensitivity when an overload of RF signal is detected. The PSM 900 provides the most stable RF performance of any monitoring system on the market.
Compact, Ultra-thin Bodypack. The P9R is the thinnest personal monitor bodypack available, yet it doesn’t compromise features for form. For maximum flexibility, the PSM 900 includes CueMode, a patent-pending feature that allows users to audition up to 20 different monitor mixes on a single bodypack at the touch of a button. Any P9R can be used in CueMode so that monitor engineers can quickly hear each performer’s mix, without the need for any additional equipment. The all-metal P9R is also rugged enough to withstand the abuse of nightly performances but packs advanced features like MixMode® technology, which allows performers to easily set their own levels and create the mix they want without affecting others on stage.
Simple User Interface. Even the most demanding professional applications requiring multiple RF channels witness vastly improved efficiencies through a near effortless set-up. Utilizing Scan and Sync technology, audio engineers can easily analyze the RF environment for interference and identify available compatible frequencies within seconds. In addition, the dedicated RF Mute feature gives users the ability to set up audio and RF parameters without transmitting.
With the PSM 900 personal monitor, audio has never sounded so good and required so little effort. “The audio quality of the PSM 900 system is remarkable!” raved Earl Neal, monitor engineer for country superstar Toby Keith. “The use of colors in the LEDs makes the system easy to read at-a-glance, and I really like the construction of the transmitter and pack. I can't wait to use a rack of these on tour.”
The PSM 900 will ship in early to mid 2010. The systems will be available with and without premium Sound Isolating Earphones. The P9R wireless bodypack receiver and P9T wireless transmitter are available as separate.
The PSM 900 carries a two-year limited warranty.
PSM900 Feature Summary
- Robust RF Performance
- Highly efficient 36 MHz tuning bandwidth with optimized frequency ranges allows more channels on-air
- Precision front-end RF filtering significantly reduces RF interference for a cleaner, stronger RF signal, fewer dropouts, and less audible artifacts
- Up to 20 compatible frequencies per frequency range for up to 20 different mixes
- Up to 1,440 user-selectable frequencies
- Unprecedented audio quality with patented Audio Reference Companding
- Scan and Sync for simplified setup with no need for additional accessories
- MixMode® Technology to balance the level of two separate channels while simultaneously listening to both signals in both ears
- Cue Mode™ allows storing and monitoring of up to 20 different stage mixes on one bodypack for quick and easy reference
- Low profile, all-metal bodypack is the thinnest available, rugged and loaded with innovative features
- LCD menu with grouped menu items for easier user interface
^ UP
Shure introduces professional headphones for studio and home recording
New SRH840, SRH440, and SRH240 Offer Unparalleled Audio Performance, Comfort, and Durability
NILES, IL, July 20, 2009 – Shure Incorporated today introduced three new professional headphone models, the Company’s first over-the-ear headphones designed specifically for studio applications. The SRH840, SRH440, and SRH240 join Shure’s lineup of professional and home recording equipment, including the recently introduced X2u, XLR-to-USB Signal Adapter and PG27USB and PG42USB Side Address Condenser Microphones to offer a complete recording package for studio engineers, musicians, and home recordists. Building on more than 84 years of delivering premium audio experiences, Shure’s Professional Headphones offer unparalleled audio quality, ergonomics, and durability. Traditionally, the market for professional headphones has been limited to recording studios and production houses. However, the proliferation of portable listening devices, user-generated content, and home recording studios has increased demand for affordable, professional quality recording gear. Shure Professional Headphones achieve a masterful balance between comfort, durability, and rich lows, warm mids, and crisp highs. The SRH840, SRH440, and SRH240 each have a unique sound signature, and offer home recordists, performing artists, and studio engineers premium sound quality for a variety of uses – from active listening to critical monitoring. “Recording engineers need three critical things: flat, natural audio reproduction, comfort during extended wear, and gear that can stand up to the rigors of everyday use. To perfect those attributes, we combined Shure’s legacy of working with sound engineers and recording artists with the depth of experience we gained with our consumer line of Sound Isolating™ Earphones,” said Scott Sullivan, Shure’s Senior Director of Global Product Management. “Our new Professional Headphones represent the next step in Shure’s recording story – one that engages professional and amateur recordists.”
Shure’s Professional Headphones’ closed-back, circumaural design maximizes comfort during extended wear. Additional features include:
- SRH840 Professional Monitoring Headphones – Optimized for studio recording and critical listening, the SRH840 features reference-quality frequency response, rich bass, clear mid-range, and extended highs. The model’s ergonomic fit and collapsible construction offer added comfort and portability.
- SRH440 Professional Studio Headphones – Tuned to deliver accurate audio reproduction, the SRH440 is optimized for professional audio equipment, including DJ mixers, mixing consoles, and headphone amplifiers. The adjustable headband and collapsible construction make the SRH440 ideal for recording and monitoring.
- SRH240 Professional Quality Headphones – Calibrated for connection to consumer listening devices and professional equipment such as mixing consoles, the SRH240 reproduces full bass with detailed highs.
Shure Professional Headphones will be available to consumers this summer and will carry a two-year limited warranty. The headphones will be available for purchase through www.shure.com and select retailers. For a complete list of where Shure products are sold, please visit www.shure.com.
^ UP
Shure Introduces Professional DJ Headphones
New SRH750DJ Joins SRH840, SRH440 and SRH240 Studio Models
NILES, IL, October 9, 2009– Shure Incorporated today introduced a new professional headphone model designed specifically for professional DJ applications – the SRH750DJ Professional DJ Headphones. They join the SRH840, SRH440, and SRH240 to expand the Shure lineup of professional and home recording equipment, which also includes the X2u XLR-to-USB Signal Adapter and the PG27USB and PG42USB Side Address Condenser Microphones. Shure now offers a complete line of recording and monitoring tools for studio engineers, musicians, home recordists and professional DJs.
Building on more than 80 years of pro audio experience, the SRH750DJ Professional DJ Headphones deliver world-class audio performance, comfort and durability to professional DJs. Custom 50mm drivers tuned to deliver high-output bass with extended highs offer maximized power handling, which optimize the headphones for use with DJ mixers. Comfortable, padded ear cups swivel 90 degrees and allow total control of placement on one ear when mixing. Replaceable cable and ear pads ensure a lifetime of use.
“Professional DJs have unique requirements when it comes to headphones,” said Scott Sullivan, Shure’s Senior Director of Global Product Management. “The SRH750DJ is tuned to deliver high-output bass cleanly, with extended highs that enable precise mixing even in noisy club environments. The SRH750DJ also allows one-ear or two-ear use, and has increased power handling capability for use with DJ mixers.”
The SRH750DJ Headphones join the Shure SRH840, SRH440 and SRH240 Professional Headphones for monitoring and performance applications in recording studios and production houses. Shure Professional Headphones each have a unique sound signature, featuring rich lows, warm mids and crisp highs. They achieve a masterful balance between comfort and durability, offering home recordists, performing artists and studio engineers premium sound quality for a variety of uses – from active listening to critical monitoring.
Features of the SRH750DJ Professional DJ Headphones include:
- Custom 50mm drivers tuned to deliver high-output bass with extended highs
- 3,000 mW maximum input power allows for optimized connectivity to DJ mixers
- Adjustable, collapsible headband with 90-degree swivel ear cups for comfort and easy one-ear placement
- Closed-back, circumaural design rests comfortably over the ears and reduces background noise in noisy club environments
- Bayonet Clip securely locks cable into ear cup
- Replaceable ear cup pads ensure long product life
- 3m (10ft) coiled detachable cable provides plenty of length and easy storage
- Carrying bag protects headphones when on-the-go or not in use
- Legendary Shure quality to withstand the rigors of everyday use
The SRH750DJ Professional DJ Headphones will be available to consumers in November 2009, will carry a two-year limited warranty and will be available for purchase at authorized retailers.
^ UP
Shure Debuts New KSM353 and KSM313 Ribbon Microphones
June 17 , 2009 — Professional sound engineers are accustomed to seeing and using legendary Shure dynamic and condenser microphones on stage, in the studio, and on television. But even some audio veterans don’t know that Shure also manufactured ribbon microphones from the 1950s through the 1980s, such as the Models 300, 315, 315S, 330, 333, and SM33.
Now, Shure has enhanced its esteemed KSM series of microphones with two new ribbon models. The KSM353 and KSM313 are premium ribbon microphones intended for capturing world-class vocal and instrumental performances, both in the studio and on stage.
“Ribbon microphones have always been prized for their warm sound quality, but their delicate nature has limited their use to controlled conditions,” said Scott Sullivan, Shure’s Senior Director of GlobalProduct Management. “We knew there was demand for ribbon microphones that could be used in a much broader range of applications.”
The new KSM353 and KSM313 use a revolutionary patented ribbon material known as RoswelliteTM, which offers higher tensile strength and more resilient shape-memory properties than a traditional foil ribbon.
“Our recent acquisition of Crowley and Tripp ribbon microphones provided us with this opportunity,” added Sullivan. “There is a general perception in the marketplace that ribbon microphones aren’t durable enough to handle high SPL applications, like being closely miked on drums or a guitar cabinet on stage. That’s the great thing about Roswellite ribbons. This material is incredibly resilient and enables these mics to be used, not only in the studio, but also in these high SPL applications.”
While conventional ribbon microphones can be damaged by loud sounds, the ‘shape memory’ of Roswellite ribbons enables it to withstand very high sound pressure levels over extended periods of time without damage.
“We chose to maintain the two Crowley and Tripp Roswellite models, the El Diablo and the Naked Eye, and bring them into our KSM portfolio as the KSM353 and KSM313,” said Chad Wiggins, Shure’s Category Manager for Wired Products. “We’re manufacturing these models true to the original Crowley and Tripp design using the same production process, fixtures, tooling, and materials.”
Hand assembled in the USA from state-of-the art transducers, transformers, and metals, the KSM353’s ribbon assembly provides rich low frequency response, natural midrange, and a rising response in the upper range for superior presence. And, it’s bi-directional polar pattern is extremely uniform and symmetrical.
The KSM313 uses a “Dual-Voice” ribbon assembly, which enables the user to choose from two different sound signatures – addressing the front of the microphone delivers a warm, full sound that is ideal for many instruments while addressing the rear of the microphone results in a bright, articulate sound that compliments vocals.
KSM353 and KSM313 features include:
- Revolutionary RoselliteTM ribbon material: Provides superior fidelity in extremely high sound pressure environments.
- 30 – 15,000 Hz frequency response: Ideal for capturing vocals, acoustic, and amplified instruments.
- Bidirectional polar pattern: Remains uniform throughout the frequency range.
- Custom-wound double-shielded transformer: Provides high output with minimum RF interference.
- Mahogany storage case: Protects the microphone while not in use.
- ‘Monocle’ swivel stand mount (KSM313 only): Accommodates a variety of microphone orientations.
- Spring-loaded suspension shock mount (KSM353 only): Accommodates a variety of microphone orientations and provides isolation from mechanical vibration.
Shure will manufacture ribbon microphones exclusively in the U.S. Shure will also assume responsibility for ongoing service and support for existing owners of Crowley and Tripp ribbon microphone products.
The KSM353 and KSM313 Ribbon Microphones are now available and carry a two-year limited warranty. The products can be purchased at select retail partners.
^ UP
Shure Debuts Four New Recording Microphones and XLR-to-USB Signal Adapter
Shure Incorporated today extended the Company's legacy of world class live performance and studio recording microphones into the digital realm with the debut of three new products - the PG27USB and PG42USB Side-Address Condenser Microphones and the X2U XLR-to-USB Signal Adapter. In addition, Shure introduced XLR models of the new microphones, the PG27 and PG42.
"Over the past several years, more and more musicians, both professional and amateur, have taken recording into their own hands at home, on the road, in their bedroom, basement, tour bus.wherever," said Chad Wiggins, Category Manager, Wired Microphones. "With these new products, we're bringing the legendary heritage of Shure microphones to every level of performer and home recording artist as the proliferation of digital recording continues."
The PG27USB and PG42USB microphones connect professional-caliber Shure microphones to any USB computer port with "Plug and Play" performance. The cardioid condenser microphones feature built-in headphone monitoring with zero latency and monitor mix control, enabling users to instantly hear what they're recording through headphones and make adjustments on-the-go, which makes them excellent tools for multi-track recording. Both microphones are durable enough for everyday use and practice, but sophisticated enough for advanced recording by the most discerning artists.
"Now anyone can connect a Shure microphone to their computer to create their music," said Scott Sullivan, Senior Director of Product Marketing and Development. "We realized that musicians who create digital recordings are looking for three things - superior equipment to translate their sound; the ability to hear themselves.monitoring; and the ability to accurately adjust their monitor mix. We're delivering all of this with our new USB microphones and the X2U adapter."
The PG27 and PG42 are XLR counterparts to the USB models. The key difference between the PG27, PG27USB, PG42, and PG42USB microphones is the application for which they were designed:
- The PG27 and PG27USB feature a flat, neutral frequency response for natural reproduction of a wide variety of instrument and vocal sound sources
- The PG42 and PG42USB were specifically engineered to reproduce the subtle nuances of lead vocals. The large diaphragm allows for higher sensitivity to clearly reproduce refined performances. The low-cut filter and external shock-mount further optimize performance for vocals
Other unique features include:
- Large diaphragm capsule: Provides wider dynamic range, clear highs, and strong lows
- USB "Plug and Play" Connectivity for the PG27USB and PG 42USB: Enables convenient digital recording, anywhere your computer goes
- Integrated pre-amp with Microphone Gain Control: Allows precise control of input signal level to prevent overload of the analog-to-digital converter
- Zero Latency Monitoring: For real-time playback and multi-tracking without disorientation
- Headphone Jack: For monitoring with 1/8" connectivity
- Monitor Mix Control: For blending microphone and playback audio
X2U XLR-to-USB Signal Adapter
The Shure X2U Adapter is a modular accessory that connects any XLR microphone to a computer to create better-than-CD quality recordings. As home recording flourishes, the X2U redefines what amateur musicians and podcasters can do in their homes and on the go. The X2U mimics the sleek, beautiful design of Shure's iconic SM57 and SM58® microphones and can be used unobtrusively for live and in-studio recording. The X2U's unique features include:
- USB "Plug and Play" Connectivity: Enables the convenience of digital recording, anywhere your computer can go (compatible with Windows Vista, XP, 2000, and Mac OS X 10.1 or above)
- Integrated pre-amp with Microphone Gain Control: Allows precise control of input signal level to prevent overload of the analog-to-digital converter
- Zero Latency Monitoring: Enables real-time playback and facilitates multi-tracking without disorientation
- Headphone Jack: For monitoring with standard 1/8" connectivity
- Monitor Mix Control: For blending microphone and playback audio
- 48-volt Phantom Power: For compatibility with all condenser microphones
- View demo
Availability
The PG27, PG27USB, PG42, and PG42USB Side Address Condenser Microphones and X2U Signal Adapter will be available in spring 2009 and will carry a two-year limited warranty.
^ UP
Shure Expands SM Microphone Line With SM27 and SM137: New Mics Provide More Options For Recording Applications
Shure SM microphones have proven their worth through decades of rigorous use and abuse on stage and in the studio. Now Shure is expanding the line to give performers and engineers more tools to choose from with the introduction of the SM27 and SM137.
The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone designed to pick up the nuances of vocals and instruments with clarity. This microphone has a one-inch ultra-thin Mylar diaphragm for superior transient response, exceptional low frequency reproduction, and a low self-noise (just 9.5 dB SPL) to reveal fine detail when recording or during live performance. The SM27 offers lower self-noise and improved dynamic range specifications over the KSM27 model that it replaces.
The SM137 is a cardioid probe microphone for instrument recording applications. The SM137 employs an ultra-thin diaphragm for smooth high end and tight, controlled low end. Its 15 dB attenuator enables it to handle sound pressure levels as high as 154 dB SPL, for consistent reproduction of delicate acoustic as well as high-volume amplified instruments. The SM137 replaces the KSM109 model.
"Shure SM wired microphones have been the standard by which microphone performance has been judged for more than 40 years," said Terri Hartman, Shure's Director of Global Brand Communications. "The SM27 and SM137 provide new SM microphone options for live performance and recording, and build on the heritage of SM microphones as critical tools for audio professionals."
For convenient digital recording directly to a computer, Shure now offers the classic SM57 and SM58 microphones packaged with the new X2U XLR-USB Signal Adapter. The X2U features a built-in headphone jack with zero-latency monitoring for real-time playback and multi-tracking without disorientation. A Monitor Mix Control makes it easy to balance microphone and playback audio.
"The new bundles of the SM57 and SM58 with the new X2U Signal Adapter make either of these legendary workhorse mics a versatile solution for podcasting and other digital recording projects," added Hartman. "Whether an artist wants to record in a bedroom or basement, or even on a tour bus, the X2U lets them connect a Shure microphone to a computer wherever they are."
All popular Shure SM models will receive new packaging for a more uniform presentation and more effective communication of key product features. The new package consists of a separate box and color sleeve.
The SM27 and SM137 microphones will be available in March 2009 and will carry a two-year limited warranty.
^ UP
Featured Product >> Shure Super 55 Packs Modern Muscle in a Vintage Body
May 13, 2009 — Once in a great while, a product transcends its basic function and becomes an icon – a cultural artifact. Most fade away as they are eclipsed by new technology or changing tastes, but some make such an indelible mark that their appeal never wanes. The Shure model 55SH Series II Unidyne® Microphone is one such icon; it’s the professional audio industry’s answer to the ’65 Ford Mustang or a pair of Levi’s 501 blue jeans.
It’s been 70 years since the original Unidyne – the first single-element unidirectional microphone -- debuted in 1939. Now, the model once advertised as ‘The Microphone That Needs No Name’ is getting an upgrade. Shure has taken the iconic 55SH body that has been in production since 1951, dropped in a new supercardioid motor, and added some vibrant blue color. The resulting hot rod has the same retro-cool look as the original when parked on a mic stand but with a contemporary upgrade in performance.
The new model probably doesn’t need a name either, but it has one: the Super 55 Deluxe Vocal Microphone. The Super 55 enters the lineup sporting a high-output, vocal-friendly sound, supercardioid polar pattern, and a robust shock mount.
“Everybody loves the look of the 55SH Series II, but sound engineers increasingly find that they need additional clarity and gain-before-feedback,” said Scott Sullivan, Shure’s Senior Director of Global Product Management. “Now people don’t have to choose between style and performance – the Super 55 provides equal measures of both.”
While incorporating new technology inside, the Super 55 pays homage to the original models released decades ago.
“I think the blue foam looks super awesome,” said Chad Wiggins, Shure’s Wired Products Category Manager. “Many people have seen only black-and-white photos of our older microphones, so they didn’t know that there were colored silk screens on different model variations. The foam pop filter on the Super 55 is the same royal blue color as the silk material used on early vintage models.”
The Super 55’s unique features include:
- Modern Sound: Tailored frequency response for natural vocals and speech
- High Output: Neodymium magnet and output transformer for increased sensitivity
- Vintage Design: Iconic chrome-plated design with vibrant blue color additions
- Supercardioid Polar Pattern: High gain-before feedback and excellent off-axis rejection
- Internal Shock Mount: Minimizes handling/stage noise and ensures quiet operation
- Rugged Die-Cast Chrome Casing: Reliable under rigorous conditions
The Super 55 Deluxe Vocal Microphone is now shipping and carries a two-year limited warranty.
The current 55SH Series II model will continue to be available. Both products can be purchased at select retail partners.
^ UP
